Preface A Note on the Illustrations Introduction 1: Atrocity into Words 2: Genre and Post-Hiroshima Representation 3: The Three Debates 4: Hara Tamiki and the Documentary Fallacy 5: Poetry Against Itself 6: Ota Yoko and the Place of the Narrator 7: Oe Kenzaburo: Humanism and Hiroshima 8: Ibuse Masuji: Nature, Nostalgia, Memory 9: Nagasaki and the Human Future 10: The Atomic, the Nuclear, and the Total: Oda Makoto 11: Concluding Remarks: And Then Notes References Index
