The Oxford English Literary History: Volume 2: 1350-1547: Reform and Cultural Revolution Reform and Cultural Revolution 1350-1547

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more.
Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English
Literature, but all serious readers.
Overstepping traditional period divisions, this volume in the new Oxford English Literary History runs from 1350 to the death of Henry VIII. It thus spans the extraordinary burst of English literary writing in the reign of Richard II; powerful phases of fifteenth-century literature; and the
cultural revolution provoked by the split with Rome. Although potent traditions praise both the "Reformation" and "Renaissance" as liberating movements, this book argues the reverse. Sixteenth-century centralization instead narrowed possibilities enjoyed by late medieval writers, whose work was
energized by generic and stylistic diversity.
From roughly 1350 a wide range of literary kinds flourished, in a wide range of dialects. Many of these texts can be described as a mixed commonwealth of styles and genres, such as Langland's Piers Plowman, Gower's Confessio Amantis, Chaucer's Canterbury Tales, the dramatic "mystery" cycles, and
Malory's works. In the sixteenth century that stylistic variety gave way to a literary practice that prized coherence and unity above all. Some kinds of writing, especially romance, survived the cultural revolution. Others, such as Langland's attempt to reformthe Church, the broadbased politics of
Gower and Hoccleve, and the feminine visionary mode of Julian of Norwich, became untenable. For all its finely tuned classicism or Protestant energy, sixteenth-century writing--by figures such as Wyatt, Surrey, and the dramatist Jo

Heralding a new era in literary studies, the Oxford English Literary History breaks the mould of traditional approaches to the canon by focusing on the contexts in which the authors wrote and how their work was shaped by the times in which they lived. Each volume offers a fresh, ground-breaking re-assessment of the authors, their works, and the events and ideas which shaped the literary voice of their age. Written by some of the leading scholars in the field, under the general-editorship of Jonathan Bate, the Oxford English Literary History is essential reading for everyone studying, teaching, and researching in English literature. Unlike most medieval literary histories, which end with the coming of the Tudors, this volume continues into the mid-sixteenth century, and registers the impact of Henry VIII's cultural revolution and the linking of Church and State after the break with Rome. Although potent traditions praise both 'Reformation' and 'Renaissance' as moments of liberation, this book argues the reverse. Simpson shows that the emergent centralized culture narrowed and simplified the literary possibilities that had been enjoyed by late medieval writers. The consequences for literature, and even for the varieties of English in which it was written, were dramatic. From roughly 1350, where the volume starts, a wide range of literary kinds flourished, in a wide range of dialects. Many of these texts can be described as a mixed commonwealth of styles and genres, such as Langland's Piers Plowman, Gower's Confessio Amantis, Chaucer's Canterbury Tales, the dramatic 'mystery' cycles, and Malory's Works. In the sixteenth century this stylistic variety gave way to a literary practice that prized coherence and unity above all. Some kinds of writing, especially romance, survived. Others, such as Langland's brand of ecclesiology, the 'Aristotelian' politics of Gower and Hoccleve, and the feminine visionary mode of Julian of Norwich, became untenable. Religious cycle drama outlived the 1530s but was suppressed within the next forty years. Sixteenth-century writing, by figures such as Wyatt, Surrey, and the dramatist John Bale, emerges in this book as the product of profoundly divided writers, torn between their commitment to the new order and their awareness of its painful, often destructive strictures.

1 - The Melancholy of John Leland and the Beginnings of English Literary History
2 - The Energies of John Lydgate
3 - The Tragic
4 - The Elegiac
5 - The Political
6 - The Comic
7 - Edifying the Church
8 - Moving Images
9 - The Biblical
10 - The Dramatic

Jon Bate (General Editor): FBA, Professor of English Literature, Warwick University, well known as a scholar of Shakespeare and the Renaissance, and of the Romantic period. The UK's leading exponent of ecocriticism. Most recent books: Shakespeare and Ovid, the Arden Titus Andronicus, The Genius of Shakespeare, a novel about William Hazlitt called The Cure for Love and The Song of the Earth. General Editor of the Oxford English Literary History, for which he is writing the volume on the Elizabethans, and he is also engaged in a major biography of John Clare.