Introduction: Understanding a Pandemic through Sound Maurizio Agamennone, Daniele Palma, and Giulia Sarno Part 1 – Accounts: Sounds from a World under Lockdown 1. Listening to the First Lockdown: The Auditory Experience of Wroclaw’s Inhabitants Robert Losiak, Renata Tanczuk, and Slawomir Wieczorek 2. Together in Discipline and Turmoil: Remembering Public Sounds during the COVID-19 Pandemic in the Czech Republic and Slovakia Dominika Moravcíková 3.Listening to the Hustle and the Hush: Sound, City, and the Pandemic Nakshatra Chatterjee and Srijita Biswas 4. Applauses and Banners, Horns and Fireworks: Tracing the Sonic Expression of French Social Movements during Lockdown Alessandro Greppi and Diane Schuh 5. Pandemic Soundscaping: Rediscovering a New Aura in the Mediatised Sonic Reality Ludovico Peroni 6. Not People but a Sound: Virtual Audio and the Appropriation of Fandom Practices in Pandemic Football Giulia Sarno 7. A Digital Archive of Participatory Location Rhythm Performances: Listening as a Way of Attending to the Pandemic Marcel Zaes Sagesser Part 2 – Experiences: Musicking in the Face of the Pandemic 8. Huapanguitos pa seguir aguantando en cuarentena: Mexican SonTube Channels as Emergent Digital Spaces of Music and Community during COVID-19 Daniel Margolies and J. A. Strub 9. "WHY DO THEY DANCE IN THE MIDDLE OF THE PANDEMIC?" Post-Pandemic Cumbia, Mediated Live Music, and Digital Heritage from Mexico City Michaël Spanu 10. Sardinian Traditional Music during the COVID-19 Pandemic Marco Lutzu and Ignazio Macchiarella 11. Becoming Visible: Proud Roma and Sinti Musicians in Italy during the Pandemic Antonella Dicuonzo 12. Rethinking Intermedia Practices during the Pandemic: Staging and Conception of Alexander Schubert’s Virtual Reality Video Game Genesis Luca Befera 13. Musicians in the Brazilian Pandemic: Facing COVID-19 during the Bolsonaro Regime and the Aldir Blanc Emergency Bill Suzel Ana Reily and Regina Machado 14. Musical Performance during and after the COVID-19 Pandemic: Days of Future Passed? Alessandro Bratus, Alessandro Caliandro, Fulvia Caruso, Flavio Antonio Ceravolo, and Michela Garda Part 3 – Perspectives: Rethinking Sound and Music against the Backdrop of a Global Crisis 15. Coronamusic(king): Types, Repertoires, Consolatory Function Melanie Wald-Fuhrmann 16. The Pandemic as a Catalyst for Remotivity in Music Mark Thorley 17. Music in Lockdown: On Sonic Spaces during the COVID-19 Pandemic, March – June 2020 Esteban Buch 18. What a Blackbird Has Told Me: Latent Acoustic Learning in the Times of COVID-19 Theodoros Lotis 19. The Sounds and Silence of COVID-19 Quarantine: Media Representation, Debility, and Neoliberal Biopolitics James Deaville 20. Four Sounds against Capitalocene: Lockdown, Music, and the Artist as Producer Makis Solomos 21. Afterword: Coping with Crisis through Coronamusic Niels Chr. Hansen