Redeeming the Text Latin Poetry and the Hermeneutics of Reception

This book applies some of the procedures of modern critical theory to the interpretation of Latin poetry.

This book applies some of the procedures of modern critical theory (in particular reception-theory, deconstruction, theories of dialogue and the hermeneutics associated with the German philosopher Gadamer) to the interpretation of Latin poetry. Charles Martindale argues that we neither can nor should attempt to return to an 'original' meaning for ancient poems, free from later accretions and the processes of appropriation; more traditional approaches to literary enquiry conceal a metaphysics which has been put in question by various anti-foundationalist accounts of the nature of meaning and the relationship between language and what it describes. From this perspective the author examines different readings of the poetry of Virgil, Ovid, Horace and Lucan, in order to suggest alternative ways in which those texts might more profitably be read. Finally he focuses on a key term for such study 'translation' and examines the epistemological questions it raises and seeks to circumvent.

1. Five concepts in search of an author: suite; 2. Rereading Virgil: divertimento; 3. Rereading Ovid and Lucan: cadenzas; 4. Translation as rereading: symphony in three movements; Postscript: redeeming the text, or a lover's discourse.

This book applies some of the procedures of modern critical theory to the interpretation of Latin poetry. The author argues for an approach which sees the meaning of a text as always and necessarily involved in the process of 'reception', that is the way it has been read and interpreted from the time of its composition down to the present day.