Metaphorical Practices in Architecture Metaphors as Method and Subject in the Production of Architecture

Metaphors are diversly and intricately embedded in architectural practice and discourse. Precisely for this reason, this volume argues and sets out to explore, how they can be engaged to critically interrogate architecture’s social, cultural and political dimensions – past and present – and to productively challenge and intervene with established perspectives, debates and practices. Mapping out not just potentials but also addressing the challenges, limitations and dangers inherent in using metaphors in architectural research and practice, the volume prominently illustrates the ambiguity and contradictoriness inherent in both metaphors and the process of engaging and exploiting them. Covering a broad range of historical and geographical cases and concerns, the contributions illustrate effectively that metaphors can expand or narrow our engagement with architecture, and consolidate or legitimise but also destabilise and challenge established social, cultural, disciplinary and political structures, concepts and categories. With its aim to explore metaphors as both subject and method to critically challenge and expand established practices, perspectives and standards in architectural research and practice, the volume will be of interest for scholars working across the architectural humanities, including architectural history, theory, culture, design and urbanism, as well as for researchers concerned with architecture and the city from fields such as cultural, visual and area studies as well as art history.

List of Contributors Acknowledgements Introduction: Metaphors as Target and Tool in Architectural Research and Practice Sarah Borree and Stephanie Knuth SECTION 1   Recovering Metaphorical Histories Sarah Borree and Stephanie Knuth 1. Landscape as Metaphor for Post-War Office, Work and Research Architecture from the 1950s to 1970s Christian Vöhringer 2. Mechanical vs Biological Metaphors and the Greek Notion of the Organic City in the Discourse of CIAM IV Lina Dima 3. The Analogy of Means: The Ontological Function of Architectural Metaphor Peng Xue 4. The Ghost Towns of Burma: Student Activism and the Politics of Memory under Military Rule J. Hoay-Fern Ooi SECTION 2   The Material Production of Metaphors Sarah Borree and Stephanie Knuth 5. Concrete Abstractions: Architectural Metaphors in the Design Practice of Warsaw’s Socialist Realism (1949-1952) Konrad Matyjaszek 6. Analogy versus Metaphor: Aldo van Eyck’s Poetic Images In-Between Fields Alejandro Campos Uribe and Paula Lacomba Montes 7. Planning with Ecology: The PEP Group and Biosocial Design in Post-War Britain Juliana Kei 8. Yorùbá Metaphor: From Mythoi to Contemporary Public Realm Urbanism Mok?ládé Johnson and ?látúnjí Adéjùm?`   SECTION 3 Framing Narratives through Metaphor Sarah Borree and Stephanie Knuth 9. Disturbing Scenes: Architecture as Metaphor in Women’s Stories Nadia Boudidah Falfoul 10. The Star System: Denise Scott Brown’s Feminist Analysis of the Sociology of Architecture and Its Repercussions Inés Toscano 11. Inmundo: Architectural Metaphors from the Edge of the World Ingrid Quintana-Guerrero 12. A Clean Slate: Metaphors and the Smart City in India Devika Prakash   Postscript: The Work of Metaphors Olga Touloumi Index

Sarah Borree is a postdoctoral fellow at the interdisciplinary LOEWE research cluster Architectures of Order at Goethe-University Frankfurt/M. Her research explores the cultures and infrastructures of the production of architecture with a particular interest in photography and publications. She holds a PhD in Cultural Studies from the University of Edinburgh and a postgraduate degree in architecture from Bauhaus-Universität Weimar. Stephanie Knuth is a doctoral researcher at the LOEWE research cluster Architecturesof Order at the Technical University of Darmstadt. She holds an M.A. in Sociology and a postgraduate certificate in Women’s and Gender Studies. Her research interests include the sociology of knowledge and technology, as well as feminist criticism of science and epistemology. Moritz Röger is an art historian focusing on the history and theory of architecture in the 19th and 20th century. He holds an M.A. in art history from Goethe-University Frankfurt/M, co-curated an exhibition at the Deutsches Architekturmuseum (DAM) and was part of the LOEWE research cluster Architectures of Order. He currently works at the Heritage Conservation Office, Hessen.