Right after the Gezi Resistance, a new tendency of authoritarianism rapidly emerged in Turkey and AKP government started targeting anyone it perceives as a threat to its rule, especially academics, journalists, politicians, actors, directors, i.e. the intellectuals who produce oppositional art and critical knowledge, criminalizing them as enemies of the state. The authoritarian regime has permeated every aspect of economic, social, cultural, and political life, institutionalized primarily through the ongoing state of emergency declared in the wake of the July 15, 2016 coup attempt (one might also consider this as a controlled and manipulated toxoid coup). This new climate has started to limit the opportunities of production and reproduction for the intellectuals and artists, and even holding a dissident stance became a source of risk on its own. The Republic of Turkey limited, oppressed and punished the means of expression by giving one of the harshest (and maybe the most violent) reactions of its history against critical thought and opposition. The culture of democracy, which was almost already non-existent, has been completely abolished through the suspension of democracy on the ostensible level. This ongoing period is one, in which producers of critical knowledge and opposing artists are being faced with immense oppression and penal sanctions. One of the outcomes of this process is a kind of new-nomadism that we can sketch out as “leaving behind”. And one of the forms of this leaving is (voluntary or involuntary) exile.
The majority of those whom we call “new-exile intellectuals” today have relocated generally to Western Europe, Great Britain, the United States, and especially to Germany. This new wave of political forced migration, which started in the aftermath of the Gezi uprisings and gained momentum following the coup attempt, has been defined by the editors of the book as “new-exile”', in order to draw a framework, as it has some unique characteristics different from the previous waves. The fundamental property of this experience is the simultaneous mobilization of intellectual capital and (bi-polar) opposition. This oppositional stance is both against the dominant global order and against German-style authoritarianism as well as Turkish-style fascism. It is bi-polar in the context of exile. The form of the opposition in question has the ability to take root in the lands it arrives at. It does not point towards a single direction (forward or backward) and a single place (the place it was ruptured); it is here/now and multidirectional. This state of new-exile bears the efforts of existing critical knowledge and art producers in the “heim” to which they have relocated, as critical knowledge and art producers are opposed to the dominant world system as well as to fascism in Turkey. As political subjects of the resistance against authoritarianism, they are continuously and collectively fighting against the structural fate of displacement.
As both subjects and researchers of this current state of new-exile, it is our primary responsibility to understand and produce knowledge of these intellectuals’ responses in this new life, to monitor the creation processes of the new mechanisms to cope with the challenges, and to understand/investigate the effects of all these on the transnational social space. We have tried to determine the content of this book based on our own experiences as new-exiled intellectuals. We believe that in this period of new-exile we are subjects and witnesses of a historic period due to our individual struggle for existence as well as our modes of organization and solidarity as a group of new-exiled intellectuals. On one hand, we know that while transforming ourselves, we pave the way for mutual interaction and the transformation of the structures in which we relate.
This is precisely why the motivation behind the i
