AUDIO COMPANIES:ACOUSTIC RESEARCH; ADVENT; ALABAMA PHONOGRAPH CO; ALLGEMEINE ELEKTRIZITäTS GESELLSCHAFT (AEG); AMPEX; BERLINER GRAMOPHONE CO; DYNACO; ELECTRO-VOICE; GRUNING; HARMAN INTERNATIONAL; KLH CORPORATION; LIQUIDAUDIO; MAGNETOPHON; MARANTZ; NAKAMICHI; PANASONIC; REALAUDIO; REVOX; SONY; TEAC; YAMAHA GENRES: ACCORDION RECORDINGS; ACID JAZZ; ADULT CONTEMPORARY; ALTERNATIVE ROCK; ANIMAL IMITATIONS: BASS AND DRUMS; BIG BAND; BRITISH INVASION; CAR SONGS; CLARINET RECORDINGS; DO IT YOURSELF (DIY); DOO-WOP; FUNK; GIRL GROUPS; GOSPEL; GRUNGE; HEAVY METAL; JAZZ; MINIMALISM; MUSIQUE CONCRETE; PROGRESSIVE ROCK; PSYCHEDELIC; PUNK ROCK; RAP/HIP HOP; REGGAE; TEEN IDOLS LABELS: A & M RECORDS; AEOLIAN VOCALION; ANGEL; ARISTA; ASYLUM; BARKING PUMPKIN; BEAR FAMILY; BROADSIDE; CHRYSALIS; COLUMBIA; COMMODORE; DECCA; DEF JAM; EDISON; ELEKTRA; FOLKWAYS RECORDS; HATHUT; HI; INTERSCOPE; ISLAND; KAPP; KING; MERCURY; MILESTONE; MOTOWN; OKEH; PREISER; RED BIRD; RICH-R-TONE; ROULETTE; ROUNDER; STARDAY; TELARC; TOMMY BOY; VANGUARD; VEEJAY; VICTOR; VIRGIN; ZON-O-PHONE PRODUCERS/EXECUTIVES: ABRAHAMSON, HERB; ADLER, LOU; AZOFF, IRVING; BABYFACE (EDMONDS, KENNY); BLACKWELL, CHRIS; BRADLEY, OWEN; BRANSON, RICHARD; COMBS, SEAN PUFFY; EDWARDS, BERNARD; GAMBLE AND HUFF; GEFFEN, DAVID; GRAUER, WILLIAM; HAMMOND, JOHN; HOLLAND/DOZIER/HOLLAND; HOLZMAN, JAC; LAW, DON; LEVY, MORRIS; MILLER, MITCH; MOST, MICKIE; OSTIN, MO; PEER, RALPH; PETTY, NORMAN; PHILLIPS, SAM; RODGERS, NILE; ROSE, FRED; SHERRILL, BILLY; SPECTOR, PHIL; THIELE, BOB; TITELMAN, RUSS; WEXLER, JERRY; ZAENTZ, SAUL RECORDING ARTISTS: ABBA; ABBADO, CLAUDIO; ACUFF, ROY; AFRIKA BAMBATTAA; ALBANESE, LICIA; ALLMAN BROTHERS; AMMONS, ALBERT; ANIMALS; ANSERMET, ERNEST; AVALON, FRANKIE; BAKER, CHET; BARRETTO, RAY; BEE GEES; BERNSTEIN, LEONARD; BJORK; BLADES, REUBEN; BOOKER T. & THE MGS; BOONE, PAT; BOYZ II MEN; CLASH; CLEVELAND SYMPHONY ORCHESTRA; CLINTON, GEORGE; COLEMAN, MICHAEL; COLEMAN, ORNETTE; COREA, CHICK; DEAD KENNEDYS; DION, CELINE; DIXIE CHICKS; DR. DRE; ENO, BRIAN; EUROPE, JAMES REESE; GLEASON, JACKIE; GLUCK, ALMA; HOROWITZ, VLADIMIR; ITURBI, JOSé; JACKSON, JANET; JACKSON, MAHALIA; JOHNSON, LONNIE; JONES, GEORGE; JUDAS PRIEST; KENNEDY, NIGEL; KOSTELANETZ, ANDRE; LEE, BRENDA; LEE, PEGGY; LEHRER, TOM; LENYA, LOTTE; MARLEY, BOB; MANCINI, HENRY; MASUR, KURT; MULLIGAN, GERRY; N SYNC; N.W.A; NIRVANA; NORMAN, JESSYE; NUGENT, TED; ORBISON, ROY; OSBOURNE, OZZY; PARTRIDGE FAMILY; PAVAROTTI, LUCIANO; PIAZZOLLA, ASTOR; REDDING, OTIS; RILEY, TEDDY; SCHULZE, KLAUS; SELENA; SEX PISTOLS; SHANKAR, RAVI; SKILLET LICKERS; SNOOP DOGGY DOGG; SPIVEY, VICTORIA; STANLEY BROTHERS; STEELY DAN; SUMMER, DONNA; SUN RA; SUPREMES; TINY TIM; TURNER, BIG JOE; TWAIN, SHANIA; VELVET UNDERGROUND; WASHINGTON, GROVER JR; WATSON, DOC; WINTER, PAUL; WONDER, STEVIE; WYNETTE, TAMMY; XTC; YOAKUM, DWIGHT; ZAPPA, FRANK; ZIMBALIST, EFREM, ZORN, JOHN TERMS: A & B SWITCH;ABSORPTION;ACETATE DISC;ACOUSTIC FEEDBACK;ACOUSTIC RECORDING;ALBUM;ALIGNMENT;AMBIANCE;AMPLIFICATION;ANALOG RECORDING; BACKSPINNING;; BITSTREAM RECORDING (DIGITAL); BOOM BOX; BOUNDARY EFFECTS; CD-RECORDABLE; COMB FILTERING (ACOUSTIC);CRITICAL DISTANCE; CROSSTALK (IN RECORDING AND PLAYBACK);DATA COMPRESSION (DIGITAL AUDIO);DIRECT FIELD;DITHER (IN DIGITAL RECORDING SYSTEMS); DOPPLER EFFECT (IN AUDIO);DOWNLOAD; DRUM MACHINE; DVD (DIGITAL VERSATILE DISC); ELECTRONIC MUSIC; HAAS EFFECT; LASER TURNTABLE; LEDE (LIVE END/DEAD END ROOM, USED IN SOME STUDIOS AND HIGH-END-AUDIO LISTENING ROOMS);LIVE TO TWO TRACK (IN RECORDING); MASTER TAPE; MIDI (MUSICAL INSTRUMENT DIGITAL INTERFACE); MP3; CONCERT RECORDS (LABEL); NON-MAGNETIC TAPE RECORDING; NYQUEST FREQUENCY; OVERSAMPLING (IN DIGITAL RECORDING); PATCH BAY (IN RECORDING SYSTEMS); PHANTOM CENTER IMAGE;PINK NOISE; REVERBERANT FIELD; ROTATING HEAD RECORDER; SAMPLING; SOUND FILE (DIGITAL); SRS (SOUND RETRIEVAL SYSTEM); VU (VOLUME UNIT);X-Y STEREO RECORDING
