Architecture and the Nazi Cultural Landscape Blood, Soil, Building

This book traces cultural landscape as the manifestation of the state and national community under the Nazi regime, and how the Nazi era produced what could be referred to as a totalitarian cultural landscape. For the Nazi regime, cultural landscape was indeed a heritage resource, but it was much more than that: cultural landscape was the nation. The project of Nazi racial purification and cultural renewal demanded the physical reshaping and reconceptualization of the existing environment to create the so-called "new Nazi cultural landscape." One of the most important components of this was a set of monumental sites thought to embody blood and soil beliefs through the harmonious synthesis of architecture and landscape. This special group of "landscape-bound" architectural complexes was interconnected by the new autobahn highway system, itself thought to be a monumental work embedded in nature. Behind this intentionally aestheticized view of the nation as cultural landscape lay the all-pervasive system of deception and violence that characterized the emerging totalitarian state. This is the first historical study to consider the importance of these monumental sites together with the autobahn as evidence of key Nazi cultural and geographic strategies during the pre-war years. This book concludes by examining racial and nationalistic themes underlying cultural landscape concepts today, against this historic background.

Introduction; 1. From Ratzel to Hitler: Biographical Influences, Geopolitics, and Cultural Landscape; 2. Veins of the Nation: The Nazi Autobahn as Geopolitical Propaganda Device; 3. From Sports Park to Sacred Grove: Embedding the Mass Spectacle in the German Landscape; 4. "Secret Societies Established in Broad Daylight": Symbolic Fortifications as Nazi Institutional Sites; 5. Venerating the Blood-Soaked Soil: Monumentalized Landscapes as Memorials; Conclusion

David H. Haney is an architectural historian whose research focuses on the relationship between architecture, landscape, ecology, and geography. His monograph on the German modernist landscape architect Leberecht Migge (1881–1935), When Modern was Green (Routledge, 2010), was the first study to reassert the critical role of ecological thinking in Weimar modern architecture. He received his PhD in Architecture from the University of Pennsylvania (US) in 2005 and his Master of Environmental Design from Yale University (US) in 1995. From 2005 to 2018 he taught in the architecture schools of the University of Kent and Newcastle University in England. He has lectured widely and has been the recipient of a number of awards including a Leverhulme Trust Research Fellowship (2015–2016) and the SAH Elisabeth Blair MacDougall Award (2013).