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lanier lee - advanced maya® texturing and lighting

Advanced Maya® Texturing and Lighting


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Genere:Libro
Lingua: Inglese
Pubblicazione: 09/2006





Note Editore

Valuable Techniques from an Industry Veteran

The art of texturing and lighting is a crucial aspect of any movie, game, or other animation project. Now you can learn the secrets of professional animators, mine powerful and often hidden features in Maya, and achieve amazing results with the detailed information you'll find in Advanced Maya Texturing and Lighting.

Written by an industry veteran whose texturing and lighting has been featured in such films as Mortal Kombat, Antz, Shrek, and many others, this in–depth book focuses on advanced techniques used in real–world production environments. You'll find out how to add complexity to your work with custom shaders, high–level texture mapping, a full understanding of lighting concepts, and an unparalleled exploration of Maya's Hypershade window. The book takes a detailed look at rendering in Maya, including everything from batch rendering to global illumination workflow and HDRI techniques. In gorgeous full color and full of tips, techniques, and workflow ideas straight from the studio, this valuable guide doesn't just teach, it shows you how to achieve the same dazzling and rapid results as the pros.

The enclosed CD features exclusive content, including two bonus chapters, Maya scene files, custom shading networks, textures, the Maya Personal Learning Edition, and files for the practical tutorials, which were designed from an industry perspective and refined in the classroom.

  • Understand lighting theory, history, application, and technique.
  • Painlessly raytrace with Maya Software and mental ray.
  • Get the most out of Maya shadows and post–process effects.
  • Master Global Illumination, Final Gather, mental ray shaders, HDRI, and normal mapping.




Sommario

Introduction.

Chapter 1: Applying the Correct Maya Light Type.

Selecting Light Types.

Linking Lights.

Using Light Fog and Light Glow.

Chapter Tutorial: Lighting an Interior.

Chapter 2: Creating High–Quality Shadows.

Rendering Depth Maps.

Raytracing Shadows.

Creating Effects Shadows.

Chapter Tutorial: Lighting a Flickering Fire Pit with Shadows.

Chapter 3: Applying the Correct Material and 2D Texture.

Reviewing Shading Models and Materials.

Reviewing 2D Textures.

Mastering Extra Map Options.

Stacking Textures.

Mastering the Blinn Material.

with Basic Texturing Techniques.

Chapter 4: Applying 3D Textures and Projections.

Exploring 3D Textures.

Applying Environment Textures.

2D Texture Projection Options.

Chapter Tutorial: Creating Skin with Procedural Textures.

Chapter 5: Creating Custom Connections and Color Utilities.

Mastering the Hypershade Window.

Shifting Colors.

Chapter Tutorial: Creating a Custom Paint Material.

Chapter 6: Automating a Scene with Sampler Nodes.

Employing Samplers.

Tying into Nonmaterial Nodes.

Connecting Multiple Materials in One Network.

Using the Studio Clear Coat Utility.

Chapter Tutorial: Building a Custom Cartoon Shading Network.

Chapter 7: Harnessing the Power of Math Utilities.

Math Utilities.

Using Esoteric Utilities and Scene Nodes.

with Advanced Math Utilities.

Chapter 8: Improving Textures through Custom UVs, Maps, and Sliders.

Preparing UV Texture Space.

Using the 3D Paint Tool.

PSD Support.

Bump and Displacement Mapping.

Custom Sliders.

Chapter Tutorial: Preparing the UVs of a Polygon Model.

Chapter 9: Prepping for Successful Renders.

Determining Critical Project Settings.

Mastering the Render Settings Window.

Rendering with the Command Line.

Organizing the Render.

Selecting Image Formats and Render Resolutions.

Creating Depth of Field.

Applying Motion Blur.

Step–by–Step: Splitting Up a Render.

Chapter 10: Raytracing with Maya Software and mental ray.

Raytracing with Maya Software.

Raytracing with mental ray.

Reproducing Water.

Reproducing Glass.

Chapter Tutorial: Texturing and Rendering an Ice Cube.

Chapter 11: Working with Global Illumination and Final Gather.

Understanding Global Illumination.

Applying Caustics.

Using mental ray Shaders with Global Illumination.

Using Final Gather.

Fine–Tuning mental ray Renders.

Chapter Tutorial: Creating Caustics with Final Gather.

Index.

Chapter 12 Supplemental Chapter: Understanding Lighting, Composition, and Color.

Understanding the Art of Lighting.

Using 1–Point Lighting.

Using 2–Point Lighting.

Using 3–Point Lighting.

Using Naturalistic Lighting.

Using Stylized Lighting.

Understanding Color and Composition.

Checking Color Calibration.

A Note on Color Temperature.

Applying the Golden Mean.

Rule of Thirds.

Step–by–Step: 3D Lighting Examples.

Chapter 13: Supplemental Chapter: Texturing and Lighting with Advanced Techniques.

Adding Realism with HDRI.

Rendering with HDRI and mental ray.

Using HDR Images with Global Illumination.

Using HDR Images with a Light Shader.

Normal Mapping.

Using the Surface Sampler.

Creating Displacement Maps with the Surface Sampler.

Creating Diffuse and Shaded Maps with the Surface Sampler.

Managing Renders with the Render Layer Editor.

Step–by–Step: Creating the Cover Illustration.

Supplemental Materials: Additional Texturing and Lighting Techniques.

3.1: Flat and Gouraud Shading.

3.2: Creating a Custom Wireframe Render with a Ramp Texture.

3.3: Creating a Custom Window Reflection with Ramp Textures.

5.1: Controlling a Bicep with a Clamp Utility.

5.2: Creating a Stylized Metal with the Surface Luminance Utility.

6.1: Replicating Iridescence with the Surface Sampler Utility.

6.2: Re–creating Skin Translucence.

7.1: Rotating a Tire with Multiply Divide Utilities.

7.2: Solving the Length of a Triangle s Edge with a Plus Minus Average Utility.

8.1: Rebuilding Closed and Periodic Surfaces.

9.1: Adjusting NURBS Surface Tessellation.

10.1: Recreating Turbulent Water.

11.1: Creating a Simple Global Illumination Scene.

11.2: Applying mental ray Diagnostic Tools.





Autore

Lee Lanier is a professional animator and teacher who has created digital special effects for such films as The Santa Clause and Mortal Kombat. He served as a senior animator in the Modeling and Lighting departments on Antz and Shrek and has produced and directed the animated short films Millennium Bug, Mirror, Day Off the Dead, Weapons of Mass Destruction, and 13 Ways to Die at Home. He has also taught advanced Maya classes at several schools, including the Art Institute of Las Vegas, where he designed the Media Arts & Animation curriculum. His work can be seen at beezlebugbit.com.










Altre Informazioni

ISBN:

9780471794042

Condizione: Nuovo
Dimensioni: 252 x 21.29 x 201 mm Ø 1082 gr
Formato: Brossura
Pagine Arabe: 384





I vostri commenti al Libro

1 recensioni presenti.

05/03/2007 Di castlegoria
0 stelle su 5

Il mondo del 3D é vasto e complesso. Molti libri cercano di comprimere il maggior numero di informazioni possibili di ogni ramo della grafica tridimensionale in un solo volume risultando poi alla fine troppo ostici ai novizi e scevri di quelle nozioni che un utente intermedio o avanzato va alla ricerca una volta comprese le basi. Nel libro di Lanier invece, si pone l''attenzione su uno solo dei vari argomenti: il Rendering. Il libro è strutturato seguendo una logica pregevole: parte spiegando ottimamente con esempi che si rifanno alla realtà gli Shaders di base di Maya (Lambert, Phong, Phong E etc.), per poi passare alle tecniche di illuminazione, alle ombre, al texturing e all''utilizzo sia del motore di rendering interno di Maya sia del famigerato mental ray (il motore di rendering utilizzato per realizzare i vari Final Fantasy sia videoludici che cinematografici giusto per fare una citazione). Il CD allegato contiene inoltre 3 capititoli supplementari e tutti i files degli esempi pratici proposti nel libro (Da ricordare che quest''ultimi vengono tutti raffigurati con fotografie a colori di ottima risoluzione). Se si è già fatta pratica con Maya magari affrontando l''argomento modellazione, questo è sicuramente un libro da avere per compiere il grande passo verso il rendering dei propri lavori. Le informazioni in esso contenute saranno preziosissime per i novizi mentre per chi ha già esperienza nel campo, troverà in esso un ottimo volume di referenza.



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