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hallam susan (curatore); cross ian (curatore); thaut michael (curatore) - oxford handbook of music psychology
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Oxford Handbook of Music Psychology

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Dettagli

Genere:Libro
Lingua: Inglese
Pubblicazione: 05/2011





Note Editore

The field of Music Psychology has grown dramatically in the past 20 years, to emerge from being just a minor topic to one of mainstream interest within the brain sciences. However, until now, there has been no comprehensive reference text in the field. The Oxford Handbook of Music Psychology is a landmark text providing, for the first time ever, a comprehensive overview of the latest developments in this fast-growing area of research. With contributions from over fifty experts in the field, the range and depth of coverage is unequalled. All the chapters combine a solid review of the relevant literature with well-reasoned arguments and robust discussions of the major findings, as well as original insights and suggestions for future work. Written by leading experts, the 52 chapters are divided into 11 sections covering both experimental and theoretical perspectives, each edited by an internationally recognised authority Ten sections each present chapters that focus on specific areas of music psychology: - the origins and functions of music - music perception - responses to music - music and the brain - musical development - learning musical skills - musical performance - composition and improvisation - the role of music in our everyday lives - music therapy and conceptual frameworks In each section, expert authors critically review the literature, highlight current issues, and explore possibilities for the future. The final section examines how in recent years the study of music psychology has broadened to include a range of other scientific disciplines. It considers the way that the research has developed in relation to technological advances, fostering links across the field and providing an overview of the areas where the field needs further development in the future. The Oxford Handbook of Music Psychology will be the essential reference text for students and researchers across psychology and neuroscience.




Sommario

1 - The nature of music and its evolution
2 - Universals in music processing
3 - Music and meaning
4 - The social and personal functions of music in cross-cultural perspective
5 - The perception of pitch
6 - Tonal cognition
7 - The perception of musical timbre
8 - Musical time
9 - Components of melodic processing
10 - Memory for music
11 - Bodily responses to music
12 - Emotional responses to music
13 - The relationship between musical structure and perceived expression
14 - Aesthetics
15 - Musical preferences
16 - The neurobiological basis of musical expectations
17 - Disorders of musical cognition
18 - Music, musicians and brain plasticity
19 - Music and the brain: three links to language
20 - Prenatal development and the phylogeny and ontogeny of musical behaviour
21 - Music lessons from infants
22 - Music in the school years
23 - The impact of music instruction on other skills
24 - Musical potential
25 - Practising
26 - Individuality in the learning of musical skills
27 - Motivation to learn
28 - The role of the family in support learning
29 - The role of the institution and teachers in supporting learning
30 - Measurement and models of performance
31 - Planning and performance
32 - Sight-reading
33 - Performing from memory
34 - Movement and collaboration in musical performance
35 - Emotion in music performance
36 - Optimising physical and psychological health in performing musicians
37 - Making a mark: the psychology of composition
38 - Musical improvisation
39 - Children as creative thinkers in music: focus on composition
40 - Choosing to hear music: motivation, process and effect
41 - Music in performance arts: film, theatre and dance
42 - Peak experiences in music
43 - Musical identities
44 - The effects of music and community and educational settings
45 - Music and consumer behaviour
46 - Music therapy: processes of music therapy
47 - Clinical practice in music therapy
48 - Research and evaluation in music therapy
49 - Music therapy in medical and neurological rehabilitation settings
50 - Beyond music psychology
51 - History and research
52 - Where now?




Autore

Susan Hallam is Professor of Education at the Institute of Education, University of London and currently Dean of the Faculty of Policy and Society. She pursued careers as both a professional musician and a music educator before completing her psychology studies and becoming an academic in 1991 in the department of Educational Psychology at the Institute. Her research interests include disaffection from school, ability grouping and homework and issues relating to learning in music, practising, performing, musical ability, musical understanding and the effects of music on behaviour and studying. She is past editor of Psychology of Music, Psychology of Education Review and Learning Matters. She has twice been Chair of the Education Section of the British Psychological Society, and is currently treasurer of the British Educational Research Association, an auditor for the Quality Assurance Agency and an Academician of the Learned Societies for the Social Sciences Ian Cross teaches at the University of Cambridge where he is Reader in Music & Science, Director of the Centre for Music & Science and a Fellow of Wolfson College. He has published widely in the field of music cognition. His principal research focus at present is on music as a biocultural phenomenon, involving collaboration with psychologists, anthropologists, archaeologists and computational neuroscientists. His research explores the biological and cultural bases for human musicality, in particular, the mechanisms underlying the capacity for achievement and maintenance of inter-individual synchrony of behaviour, those underlying the experience of meaning in engagement with music, and those involved in the cognition and perception of multi-levelled structure in both music and language. Michael H Thaut received his masters and PhD in music from Michigan State University. He is also a graduate of the Mozarteum Music Conservatory in Salzburg/Austria. At Colorado State University he is a Professor of Music and a Professor of Neuroscience and serves as Executive Director of the School of the Arts and Chairman of the Dept of Music, Theater, and Dance. He has also directed the Center for Biomedical Research in Music for 12 years. Dr Thaut's internationally recognized research focuses on brain function in music, especially time information processing in the brain related to rhythmicity and biomedical applications of music to neurologic rehabilitation of cognitive and motor function. He has received both the National Research Award and the National Service Award from the American Music Therapy Association. He is an elected member of the World Academy of Multidisciplinary Neurotraumatology and in 2007 he was elected President of the International Society for Clinical Neuromusicology.










Altre Informazioni

ISBN:

9780199604975

Condizione: Nuovo
Collana: Oxford Library of Psychology
Dimensioni: 243 x 34.8 x 176 mm Ø 1058 gr
Formato: Brossura
Pagine Arabe: 600


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