The Palgrave Handbook of Intermediality

TRAMA

This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II and III  then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines.  It concludes in Section IV with an emphasis on urgent societal issues that an intermedial perspective might help understand.

SOMMARIO

SECTION I. HISTORIES AND SCHOOLS, THEORIES AND METHODS OF INTERMEDIAL RESEARCH1. Intermediality: Introducing terminology and approaches in the field 2. An Updated Survey of Early Interart and Intermediality Roots: Claus Clüver 3. Ekphrasis – Intermedial and Anglophone Perspectives 4. Intermediality and Medium Specificity 5. Intermedialities, Societies, and Power Histories 6. Montreal School of Intermediality: Beyond Media Studies 7. Case Studies as a Heuristic of Intermediality 8. Linnaeus University Center for Intermedial and Multimodal Studies and the legacy of Lars Elleström 9. Intermediality in Brazil: a diachronic survey 10. An Overview of Intermedial Studies in China 11. Intermediality, Semiotics and Media theory 12. Intermediality and/in Translation 13. Visual Citation in Intermedial Relations 14. Reformulating the Theory of Literary Intermediality: A Genealogy from Ut pictura poesis to Poststructuralist In-betweenness 15. Transmedial Narratology and Transmedia Storytelling 16. The Narrator: A Transmedial Device 17. Intermediality, Teaching and Literacy 18. Intermedia, Multimedia and Media 19. Citational Aesthetics: for Intermediality as InterrelationSECTION II. INTERMEDIAL PERSPECTIVES ON MEDIA UNTIL THE 19TH CENTURY: A LIVING LEGACY20. Traditional Chinese Painting: An Intermedial Play of Sister Arts Since the Eleventh Century 21. The Anchor and the Dolphin: A History of Emblems 22. The Age of Wonder and Entertainment: An Introduction to Intermedial Networks in Baroque Culture 23. Intermediality in Seventeenth-Century Baroque Celebrations in Hispanic America: Commissions, Poetry, and Ephemeral Architecture 24. Cabinets of Curiosities as a Transhistorical and Intermedial Phenomenon 25. Crossing Media Borders: From Intermedial Shakespeares to Shakespearean Intermediality 26. Metareference in the Nineteenth-Century Pictorial Press and Beyond 27. Picturing Music in the 19th Century 28. Prototype models of intermedial praxis (Wagner, Kandinsky, Brecht) and their resonances in contemporary performanceSECTION III. INTERMEDIAL PERSPECTIVES ON MEDIA IN THE 20TH CENTURY: NEW MEDIASCAPES IN A GROWING WORLD29. Intermediality and Liveness at the Turn of the Twentieth Century 30. The Sonification of Modernist Fiction: A Critical Review 31. Adaptation and Sound 32. Music Transformation in Literature 33. Collage as a Creative Act: Emergence, Displacement and Re-signification 34. Anthropophagic Appropriation and Intermediality 35. Late Twentieth-Century Intermedia Poetry in the Americas 36. Photo-Journalism and Beyond 37. Media borders in a post-media age: the historical and conceptual co-evolution of cinema, television, video and computer screens 38. The Qualified Medium of Computer Games: Form and Matter, Technology, and UseSECTION IV. INTERMEDIAL PERSPECTIVES ON MEDIA IN THE 21ST CENTURY: CHALLENGES IN CONTEMPORARY SOCIETY39. The Ecological Crisis and Intermedial Studies 40. Simulated Climate in Ecological Games: Mediating Climate Change to Endow Players with Transformative Agency 41. Intermediality in Theme Parks 42. Interactive and Participatory Sound 43. Intermediality and Computer Simulation 44. Intermediality and Digital Fiction 45. Intermediality and Metamediality: From Analog Representations to Digital Resources 46. The Recommended Experience: Engaging Networked Media Platforms with Intermediality 47. Posthuman Intermedial Semiotics and Distributed Agency for Sustainable Development

AUTORE

Jørgen Bruhn, PhD., is professor of Comparative Literature, Linnæus University, Sweden. He has written and co-edited or edited several books and special journal issues, his three latest monographs being The Intermediality of Narrative Literature. Medialities Matter (Palgrave Macmillan 2016), with Anne Gjelsvik, Cinema Between Media. An Intermedial Approach (Edinburgh UP, 2018) and, with Niklas Salmose, Intermedial Ecocriticism. Mediations of the Climate Crisis across Media (forthcoming 2023, Lexington Books). His main research areas are literary theory, intermediality and media studies, ecocriticism and environmental humanities. He recently co-edited two volumes related to intermedial studies: Multispecies Storytelling in Intermedial Practices (Punctum Books, eds Jørgen Bruhn and Ida Bencke, 2021) and Intermedial Studies. Meaning Making across Media (Routledge, eds Jørgen Bruhn and Beate Schirrmacher, 2022).Jørgen Bruhn uses Facebook, and to a limited degree Academia and ResearchGate to promote and disseminate his research.Asun López-Varela Azcárate is Assoc. Prof. at the Department of English Studies, Universidad Complutense de Madrid. Her research interests are Comparative Literature, Cultural Studies, as well as Cognitive and Intermedial Semiotics. Since 2007, she coordinates of the research program Studies on Intermediality and Intercultural Mediation SIIM. In 2013, she was awarded a Fulbright Visiting Scholarship at Harvard University, Department of Comparative Literature. A proactive member of the profession, currently, López-Varela is Vice-Chair at European Commission Unit REA.A2, Marie Sklodowska-Curie European Postdoctoral Fellowships, Social Sciences and Humanities (SOC). López-Varela is also Network Coordinator at New Directions in the Humanities. In order to strengthen relations between Europe and Asia, López-Varela coordinates an annual Seminar Series on Cross-cultural dialogue and Sustainability funded by the Eurasia Foundation. She is honorary member of the Poetry Award Committee of Beijing Literature and ArtNetwork. For López-Varela’s activities as editor and member of scientific committees in various academic journals, please see https://www.ucm.es/siim/asun-lopez-varela Her academic publications can be seen at https://www.ucm.es/siim/lopez-varela-publications and at https://orcid.org/0000-0003-1616-5830Miriam de Paiva Vieira is a Professor at the Depart-ment of Letters, Arts, and Culture at Universidade Fed-eral de São João del Rei, Brazil. Her research interests are Comparative Literature and Intermedial Studies, with a focus on ekphrasis and the relations between literature and architecture. She has been granted funding from the Brazilian Council for Scienti?c and Techno-logical Development Scholarship in their Research Pro-ductivity Program (CNPq/PQ2 2022–2025). She did a visiting professor fellowship at John Paul II Catholic University of Lublin, Poland (spring 2023), and a post-doctoral fellowship funded by CNPq at UFMG, Brazil (2018). Vieira holds a doctorate degree in Literary Stud-ies (2016) and a bachelor’s in Architecture (1991). She is a board member of the International Society for Intermedial Studies and a member of IAWIS/AIERTI, CRIalt, and Grupo Intermídia (CNPq). Besides publishing articles, Vieira has edited journal dossiers and the book anthologies Escrita, som, imagem, V.1 (2020) and V.2 (2019), with Arbex, Diniz, Figueiredo, Lima. Her academic publications can be accessed at https://helder. academia.edu/MiriamVieira and https://orcid.org/0000- 0001-9851-0217 

ALTRE INFORMAZIONI

• Condizione: Nuovo
• ISBN: 9783031283215
• Dimensioni: 235 x 155 mm Ø 2648 gr
• Formato: Copertina rigida
• Illustration Notes: XIX, 1262 p. 92 illus., 64 illus. in color. In 2 volumes, not available separately.
• Pagine Arabe: 1262
• Pagine Romane: xix