New Medieval Literatures

TRAMA

New Medieval Literatures is an annual of work on medieval textual cultures. Volume 5 is marked by a preoccupation with origins or beginnings: the return to some of the foundational texts of the "modern," here Marx, Freud, and classical Marxist literary criticism; or how the Middle Ages thematized its own antecedents, in the founding myth of imperial Rome, the originary force of martyrdom, and the reformist foundations of monasticism.

NOTE EDITORE

New Medieval Literatures is an annual of work on medieval textual cultures. It provides a venue for innovative research representing the diverse methodologies of medieval studies - theoretical, archival, philological, and historicist. Volume 5 is marked by a preoccupation with origins or beginnings: the return to some of the foundational texts of the 'modern', here Marx, Freud, and classical Marxist literary criticism; or how the Middle Ages thematized its own antecedents, in the founding myth of imperial Rome, the originary force of martyrdom, and the reformist foundations of monasticism. This volume features important new work from distinguished scholars. Christopher Baswell and D. Vance Smith both write about resurrecting the pagan past in the modern urban spaces of fourteenth-century England: Baswell's magisterial archival essay considers the political role of Virgil's Aeneid in the Uprising of 1381, and Smith uses the urban narrative of St Erkenwald as a departure for a profound meditation on death and melancholy. Jody Enders dramatically contrasts the intentionality implicit in two fatal accidents that were also theatrical spectacles, one in medieval Paris and one in modern Los Angeles. And Jocelyn Wogan-Browne's magnificant analytical survey of recent research on female reading communities takes a critical new look at the way in which we deploy the foundational concept of 'community' in histories of medieval reading and literacy. Essays by four leading younger scholars complete this volume with complementary yet highly distinctive perspectives on martyrdom, sainthood, and virginity. Robert Mills considers how the visualization of martyrs' suffering in words and image can be a signifier of erotic pleasure; Sarah Salih evaluates the particular eroticism of the sponsalia Christi; Catherine Sanok reads Pearl through the lens of hagiography and Marxist genre theory; and Nancy Warren's new research on Colette of Corbie looks at the reformist power of female monasticism in the Hundred Years War.

SOMMARIO

List of illustrations; Rita Copeland: Introduction: Remembering after Postmodernism; Christopher Baswell: Aeneas in 1381; D. Vance Smith: Crypt and Decryption: Erkenwald Terminable and Interminable; Jody Enders: Medieval Death, Modern Morality, and the Fallacies of Intention; Robert Mills: A Man is Being Beaten; Sarah Salih: Queering Sponsalia Christi: Virginity, Gender, and Desire in the Early Middle English Anchoritic Texts; Catherine Sanok: The Geography of Genre in the Physician's Tale and Pearl; Nancy Bradley Warren: Monastic Politics: St Colette of Corbie, Franciscan Reform, and the House of Burgundy; Jocelyn Wogan-Browne: Analytical Survey 5: 'Reading is Good Prayer': Recent Research on Female Reading Communities; Index

AUTORE

Rita Copeland is Associate Professor of English Literature, University of Pennsylvania David Lawton is Professor of English Literature, Washington University, St Louis Wendy Scase is Lecturer in the Department of English, University of Birmingham

ALTRE INFORMAZIONI

• Condizione: Nuovo
• ISBN: 9780199252503
• Collana: New Medieval Literatures
• Dimensioni: 223 x 22.0 x 145 mm Ø 547 gr
• Formato: Copertina rigida
• Illustration Notes: 6 halftones
• Pagine Arabe: 312