Neo-Victorian Things

TRAMA

Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.

SOMMARIO

1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House8. There’s Something in the Tea: Murder and Materiality in Dark Angel9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic

AUTORE

Sarah E. Maier and Brenda Ayres have coedited and contributed chapters to the following: Neo-Disneyism: Inclusivity in the Twenty-First Century of Disney’s Magic Kingdom (Oxford, 2022), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022), The Theological Dickens (Routledge, 2022), Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media(Palgrave, 2020); Neo-Gothic Narratives: Illusory Allusions from the Past (Anthem, 2020); Animals and Their Children in Victorian Culture (Routledge, 2019); and Reinventing Marie Corelli for the Twenty-first Century (Anthem 2019). The two cowrote A Vindication of the Redhead: The Typology of Red Hair Throughout the Literary and Visual Arts (Palgrave, 2021). Danielle Mariann Dove is a Teaching Fellow in Nineteenth-Century Literature at the University of Surrey. Her research and publications centre on Victorian and neo-Victorian literature, with a specific focus on dress and fashion history, material culture, and literary celebrity. Her monograph on dress in neo-Victorian fiction is forthcoming with Bloomsbury Academic.

ALTRE INFORMAZIONI

• Condizione: Nuovo
• ISBN: 9783031062001
• Dimensioni: 210 x 148 mm Ø 452 gr
• Formato: Copertina rigida
• Illustration Notes: XIII, 233 p.
• Pagine Arabe: 233
• Pagine Romane: xiii