Music and Heritage

NOTE EDITORE

Music and Heritage provides new thinking about the diverse ways people engage with heritage. By exploring the relationships that exist between music, place and identity, the book illustrates how people form attachments to place and how such attachments are represented by sound and music-making. Presenting case studies and perspectives from across a range of genres, the volume argues that combining music with heritage provides an alternative and productive opportunity to think about heritage values and place attachment. Contributions to this edited collection use a diversity of methods, perspectives, cues and genres to reflect critically on issues related to these and other interconnections in ways that encourage new thinking about the character, meaning and purpose of cultural heritage, and the various ways in which people can interact with it through sound – thus re-encountering the supposedly familiar world around them. Taking heritage studies, musicology and place-making research in new directions, Music and Heritage will be of interest to academics and students engaged in the study of heritage, history, music, geography and anthropology. It will also be relevant to those with an interest in how music relates to place-making and place attachment, as well as to practitioners and policymakers working in the planning, design and creative sectors.

SOMMARIO

1. Sonic identity and the making of heritage: ‘This must be the place’ Liam Maloney and John Schofield I. Parklife: (New) town and (old) country 2. The soundscape and cosmology of the Norwegian band Wardruna: Guardians of runes and makers of memories Debora Moretti and Einar Selvik 3. Pastoral longing in popular music: From Skye to Tennessee Richard Worth 4. Composing archaeology: The problems of recreating heritage in musicSadie Harrison 5. Space and place in English morris dance David Petts 6. Heritage culture and artistic reciprocity: Remediating the mythical Steven Hadley, Fay Hield and Carolyne Larrington II. Onand on: Cities/industry/infrastructure 7. Decentring Liverpool’s popular music heritage: Routes Jukebox Brett Lashua and Yaw Owusu 8. Music and community in 1980s Malta: The unconventional heritage of Fort Tigné Joshua de Giorgio 9. The city as archive: How industry and electronic music forged Sheffield's sonic identity Ron Wright and John Schofield 10. Music heritage, cultural justice and the Steel City: Archiving and curating popular music history in Wollongong, AustraliaZelmarie Cantillon, Sarah Baker and Raphael Nowak 11. House music, Chicago and the uncomfortable heritage of racial segregationLiam Maloney 12. Intersections of genre, heritage, and place in the New Wave of American Heavy Metal Lewis Kennedy III. Interzone: Comparative Notes on a Northern Town 13. How a Northern Quarter music venue was crucial in the reinterpretation of 19th-century Broadside Ballads: Manchester’s Improving Daily David Jennings 14. Community archaeology, identity and the excavation of Manchester’s Reno nightclubMike Nevell and Linda Brogan 15. Morrissey, memory and traces of lost time in Manchester: from the archive to the anti-archive Adam D. Gearey and Benjamin R. Gearey IV. No future: Remembrance 16. Hardcore heritage: consecrating the northern anxiety of Terveet KädetJanne Ikäheimo 17. Historically Authentic Truths (the HAT trick): facts, fancies and footnotesWilliam Brooks, Stefan Östersjö and Jez Wells 18. Relating ruin experience with the creative process in Radcliffe Tower: Redirected ReflectionsMark Dyer 19. An experimental approach to heritage and music through a SOUNDmound at Sandby borg, Sweden: developments in method and practice Frances Gill, Bodil Petersson and Fadumo Weheliye 20. Hearing the past in the present: an augmented reality approach to site reconstruction through architecturally informed new music Ambrose Field 21. Station to station: Rock music memorial roots and routes in LondonPaul Graves-Brown and Hilary Orange

AUTORE

Liam Maloney is an Associate Lecturer in Music and Sound Recording in the Music Research Centre at the University of York (UK). John Schofield is Director of Studies in Cultural Heritage Management in the Department of Archaeology at the University of York (UK).

ALTRE INFORMAZIONI

• Condizione: Nuovo
• ISBN: 9780367359836
• Dimensioni: 9.75 x 6.75 in Ø 1.41 lb
• Formato: Copertina rigida
• Illustration Notes: 29 b/w images, 28 halftones and 1 line drawing
• Pagine Arabe: 242
• Pagine Romane: xviii